So much in love
Shelley and Holly are clearly in the midst of a big night out. You can tell, because Shelley’s wearing a leopard-print coat. I’m not drawing that again. Assume that it’s stolen from a cloakroom sometime later in the evening.
I thought “so much in love” was a Charles & Diana headline from before they were married, but I think I imagined it.
The little red bubbles mean they’re drunk, right?
Anyway, Shelley’s the only character (so far) for whom it’s been established that Dorado has any respect whatsoever, so clearly her appearance is well-timed. If there’s anything that Shelley does even nearly as well as getting people into trouble, it’s getting people out of trouble. If she’s the one who put them there in the first place. 🙂
Shelley’s expressions are so precious.
Funny too how Holly is initially unwilling to back any of Shelley’s plans unless it offers an opportunity for voyeurism and gossip.
She’s a bit of a “one”, that Holly
I wonder what the two streets that are worse than this street are.
For that matter, I wonder what this street is…
All I could hear was The Tymes, from 1963.
https://www.youtube.com/watch?v=zsGy-ndBhUc
A: Charles Dickens, in the vein of Tom Jones, Gilbert O’Sullivan, and Engelbert Humperdinck?
B: Does Holly have a data base of the streets in Tackleford, best to worst? And does this street compare t those in Wendlefield?
This is one of those classic comedy moment. I absolutely love it.
Shelley’s wide spread legged drunk stance at the window is hilarious. Holly’s weakness for deeply intrusive snooping makes me just take a moment and give thanks to our creator hero bringing Bobbins back to life.
I wonder if Dorado doesn’t think that Ryan is cheating on Shelley (who made the reservation) and therefore making Ryan “pay” for his transgression.